This September, Tarek Atoui continues this exploration into hearing diversities and how deafness can influence and expand the way we understand sound performance, its space and instrumentation.
The works presented at Bergen Assembly in collaboration with Council are an exhibition entitled Infinite Ear by Council and a new chapter of WITHIN by Tarek Atoui.
Tarek Atoui has developed nine new instruments for this exploration, and their playability are the result of workshops and collaborations between the artist, instrument makers, speaker designers, software engineers, musicians, deaf and non-deaf students and volunteers.
Together with Tarek Atoui, Kvadrat Soft Cells re-engineered Soft Cells panels to create the instrument, FELT, a touch sampler made out of 33 touch-sensitive textile panels. Each textile surface has a distinctive texture or pattern and the instrument can be connected to different computer software and families of sound.
The Soft Cells textile tensioning technology has made it possible to create textile “keys” with a precisely weighted response, similar to other musical instruments. It has also made it possible to engineer an instrument, that can retain it’s precise sensitivity, even after prolonged use.
In September 2016, the instruments were brought together for the first time at Bergen Assembly’s Sentralbadet, an abandoned swimming pool located in central Bergen.